(= go, move) → sich bewegen; (sound, light) → sich fortpflanzen; light travels at … → die Lichtgeschwindigkeit beträgt …; we were travelling (Brit) or traveling (US) at 80 kph → wir fuhren 80 km/h; the parts travel along the conveyor belt → die Teile werden vom Förderband weiterbefördert; the electricity travels along the wire → der Strom fließt durch den Draht; you were travelling (Brit) or traveling (US) too fast → Sie sind zu schnell gefahren; he was certainly travelling (Brit) or traveling (US)! (inf) → er hatte vielleicht einen Zahn drauf! (inf); wow! that’s travelling (Brit) or traveling (US)! (inf) → Mann, das ist aber schnell!
Embarking on such photographic projects make me look for relevant snippets of history, social mores and art (for example, the occupation of Shanghai by the Japanese in the thirties, the  Chinoiserie fad of the 18th century, fictional stories similar to that of Madam Butterfly et al). I also learned the aesthetic of the cheongsam (aka qi pao) in its various forms, and the beauty of Chinese calligraphy. I also scoured the internet for Chinese legends, poetry and songs/music that inspired the 2-3 minutes plots of my photo films; as I call these audio slideshows.
However, the most challenging of all the tasks involved in producing these photo films is to have the models literally become actors in the stories...not only because I want them to look the part of the betrayed lover, of the returning scorned avenger, of the famous singer haunting her past venues, but because I like them to narrate the story itself.

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"Back when we started Wanderlust, we would invite photographers in with their portfolios. Nowadays, although we do commission some work, we increasingly use online stock libraries to find images for this website and for our magazines. On the one hand, they libraries have a wide range and make it very easy to search. On the other hand, we can find ourselves wading through pages of very average shots that don't offer anything different or fresh. And, so often we struggle to find what we need due to poor tagging by the photographers." 
In March 2018, I traveled to Shanghai to give a lecture and a street workshop at Imaging Group, and recall doing some location scouting in Laoximen with Tamia Tang (my assistant). We met an elderly resident who had lived in her small rooms virtually all her life, and had been told that she would have to vacate them soon. She claimed satisfaction that the city would be offering residents alternative housing or monetary compensation as the weather in Shanghai was too cold for her. 
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